What role does Hills (2004) suggest the fans
play in the construction of cult TV? How is new media central to this?
Hills
third definition of cult states “Cult TV can be defined through analysis of fan
practices and depends on fan activities” (hill, 2004) and then follows shortly
after by saying “This type of argument positions cult TV as a ‘grassroots’ phenomenon,
assuming that it is created by fans rather than by media producers” (Hill,
2004). It is highly possible to say that cult TV is extremely dependent on fan
base and even my personal experiences with cult TV appear to draw the exact
same conclusion. For instance while I was growing up, Buffy the Vampire slayer
was a household name and one could say that it’s because of the immense support
of its dedicated fans that it was able to become so successful around the
world. Had it never received the same kind of support then I most likely never
would of heard of it before and it probably wouldn’t have continued on for as
many seasons as it did. Without a strong fan base backing it, it’s arguable to
assume that regardless of genre it’s doomed to fail and one of those reasons
being that there are just too many TV shows to compete with in not only the
cult genre, but every genre. Hill goes on to state that “The overwhelming
majority of those series that evolve substantial creative fan cultures belongs
to the fantastic genres of science fiction, fantasy, and horror (Hill, 2004)”.
By saying that I think that it’s possible that the popularity of fan bases of those
certain series were also due to the Cult genre appealing and including elements
from those three different genres compiled into one which unifies everyone
under one interest and furthers the Cult genre.
The new
media is central to all of this because it plays a huge role in how the public
views cult TV. Things like how and where cult TV is presented and advertised
all contribute directly to the possible fan base. Without a driving force such
as new media, shows like Buffy the Vampire Slayer would quite possibly have
never even amassed a fan base to start with. It’s so much easier for fans to
gather and celebrate their shared interests thanks to new media.
References
Hills, M. (2004). Defining Cult TV;
Texts, Inter-texts and Fan Audiences, The Television Studies Reader, in R. C. Allen & A. Hill. London
and New York: Routledge.
Thanks Sam. Good response. A good point about active fandoms extending the life of cult shows. According to Greirson (2006), the last two seasons of Buffy definitely struggled to get funding (network home) - but, thanks largely to the active fandom, the networks decided to support it. I also am intrigued by your concept of a cohesive perception of "cult" by fans - in other words, a self awareness of 'difference'. I tend to agree. Great.
ReplyDelete