Wednesday, October 1, 2014

Week 5+6 = Princess Mononoke



Is it a high or low cultural genre, according to Napier (2005)? What are some of its subgenres?



Popular genres’ is a film genre that is mainstream within society, although the author of the piece could not be a mainstream author. Popular genres are normally divided into two different cultures, high and low. High culture consists of wealth and mainstream literature (accepted by society) and low culture is the lower wealth, a new canon and most likely the popular genre.

Princess Mononoke (1997), written and directed by Hayao Miyazaki, is a Japanese anime film. It is based Ashitaka’s journey to find a cure for the Tatarigami’s curse, a curse that he obtained with after saving the city from an infected wild boar. On this journey Ashitaka finds himself in the middle of a war between the forest gods and Tatara, an iron/mining village. During this quest Ashitaka meets San, the princess of the Mononoke’s.

Napier states in her book Anime: from Akira to Howl’s Moving Castle that “Japanese animation, or ‘anime’, as it is now usually referred to in both Japanese and the West, is a phenomenon of popular culture. This means that much (some would agree most) of its products are short-lived, rising and falling due to popular taste and the demands of the hungry market place”. Napier saying this means that Princess Mononoke is a popular genre film and high cultured. Princess Mononoke is a high culture film because it relates to high cultural traditions and also includes an amount of academic allusions to current societal issues. In Princess Mononoke the main plot is about a girl who lives in the forest with the wolves, also known as the Mononoke’s, who is helped by a prince to stop the ironers/miners from destroying the forest. The ideas between the plot are similar to real life problems within society and the environment. I think that the relation to the mining and wanting to get rid of the ‘night walker’ in Princess Mononoke and the effects of mining in New Zealand are harmful to the environment, as well as people being greedy and wanting more. In Princess Mononoke the villagers of the mining colony get greedy about killing the night walker/forest spirit.


Napier continues to say how the culture which anime belongs to at present is a “popular” or “mass” culture in Japan, and in America it exists as a “sub” culture. A subgenre is a subdivision of a genre of literature. High culture has the subgenres to “affect a wider variety of audience in more ways than some less accessible types of high cultural exchange. In other words, anime clearly appears to be a cultural phenomenon worthy of being taken seriously, both sociologically and aesthetically”. Subgenres are an aspect of the high/low culture to in order to relate to the audience.


Napier, S. J. (2005). Why Anime?, Anime and Local/Global Identity. In Anime from Akira to Howl's moving castle: Experiencing contemporary Japanese animation. New York: Palgrave Macmillan.

1 comment:

  1. Ok Sophie. This does not read as clearly as your last post. However, you make some good points. Be careful to make clear what is your opinion and what is from the secondary readings. You clearly understand what a sub-genre is - it would have been nice if you had listed a few of the sub-genres of Anime.

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